Epson EpiqVision Mini EF22: One minute review Epson’s smaller, portable EpiqVision home projector models were long overdue for an update, and that’s just what it has done with the Epson EpiqVision Mini EF22. This introduces the tilting, swiveling stand design that’s proven so popular with many other recent projectors, and it packs in Google TV for streaming, which helps bring the EpiqVision Mini EF22 closer to parity with its competition. Add in a pair of stereo speakers and the EpiqVision Mini EF22 proves an effective all-in-one system. The Epson EpiqVision Mini EF22 beams a laser through its 3LCD projection system, providing respectable brightness near 1,000 lumens. It makes for a decent picture, though it doesn’t manage quite the exciting color gamut of triple-laser options like the JMGO N1S Pro. Its 1080p resolution will also have you sticking to smaller projection sizes than you might otherwise opt for with the best 4K projectors like the BenQ X300G or even the older Xgimi Horizon Pro.While the EpiqVision Mini EF22 is a simple and effective little home theater projector selling for a reasonable $999, it struggles to contend with the market it’s entering. Not only are there many great new projectors in the $1000-$2000 range but there’s also a sea of slightly older models that have come down in price. It’s a good projector, but I’m hard-pressed to find a reason to choose it over the alternatives. I’d snag myself a BenQ X300G or Xgimi Horizon Pro instead, both of which have been seeing some impossible-to-ignore discounts. (Image credit: Future) Epson EpiqVision Mini EF22 review: Specs Swipe to scroll horizontally Screen sizes supported: 30-150 inches Brightness (specified): 1,000 ISO lumens HDR support: HDR10, HLG Optical technology: 3LCD Laser Smart TV: Google TV Connections: HDMI, 3.5mm audio out, USB-A, Mini USB (service) Dimensions: 9.3 x 7.5 x 7.5 inches Weight: 6.6 pounds / 3 kg The JMGO N1S Pro 4K delivered strong picture quality across the board (Image credit: Future) Epson EpiqVision Mini EF22 review: Prices & release date Release date: October 2024 Price: $999 The Epson EpiqVision Mini EF22 launched in late 2024 with a starting price of $999 (£799, AU$1,599). It has seen some discounts since then, though these tend to come and go. The EpiqVision Mini EF22 comes in a variety of colors, giving you more options. You can find it in Stone Blue, Opal Green, Quartz Rose, Onyx Black, and Diamond White. (Image credit: Future) Epson EpiqVision Mini EF22 review: Design & features Built-in stand makes setup easy Google TV and automatic image adjustments Built-in 2x 5W stereo speakers Like many of the new consumer projectors in 2024, the Epson EpiqVision Mini EF22 comes with a stand built in. This makes it easy to adjust the vertical tilt and horizontal angle of the projector, even supporting vertical projection up toward the ceiling. This provides a simpler setup, though anything but a perfectly lined-up projection will result in some digital corrections that detract from the usable image. The EpiqVision Mini EF22 makes automatic vertical and horizontal keystone adjustments very quickly, letting you shift the projector around and see the image change shape in real time. It’s also quick to focus automatically. It has an optional setting to avoid obstacles when projecting, and this proves effective, but it is a slower process than the other automatic corrections, taking a few seconds. The EpiqVision Mini EF22 rounds out its smart projection features with eye protection that dims the projector when it detects someone in front of it. The Epson EpiqVision Mini EF22 is plenty compact, proving not dramatically different in size from the JGMO N1S I recently tested. That said, projectors can certainly come smaller, as LG showed with the LG CineBeam Q. It’s hard to have small projectors get very bright or offer solid audio, though, and those aren’t sacrifices the EpiqVision Mini EF22 made. It features stereo speakers and is rated to hit 1,000 ISO lumens. It also comes with Google TV. Unfortunately, Epson didn’t make the most of the projector’s size, as it opted to include just one HDMI port (with ARC), a USB-A port, and a 3.5mm audio output jack. It’s providing options, but not many. The focus of the EpiqVision Mini EF22 really is on being a standalone device that doesn’t call for external connections. The Epson EpiqVision Mini EF22 comes with a simple remote. It’s all plastic with rubber buttons and nothing too elegant, but it’s effective. It has simple navigation controls, a Google Assistant button, a shortcut to the HDMI input (making the input selection button a bit redundant), dedicated volume and brightness controls, and shortcuts for projection settings, auto-focus, as well as YouTube, Netflix, and Prime Video. None of the buttons have backlighting, making it a bit hard to use in the dark, but at least some of the buttons are white, and it’s easy enough to feel out the volume buttons. Design & features score: 4/5 The JMGO N1S Pro 4K’s picture is at its best with bright and colorful images (Image credit: Future) Epson EpiqVision Mini EF22 review: Picture & sound quality Decent brightness No unsightly motion smoothing Color could use a boost The Epson EpiqVision Mini EF22 provides an overall good-looking image, but it’s not the most impressive I’ve seen in this projector category. While natural content looks solid, with the projector offering a great presentation for Dune, it can struggle elsewhere. In the extremely colorful Mind Game, it didn’t keep up with some of the triple-laser options on the market, like the JMGO N1S, and I noticed some banding in color gradients. That said, the 3LCD technology avoids some of the unsightly swimming-pixel artifacts I’ve seen from DLP projectors displaying large monotone regions, as well as DLP rainbow artifacts. The EpiqVision Mini EF22 doesn’t keep up with some of its 4K competition either. BenQ’s X300G may have originally been much more expensive, but it’s come down considerably in price, and it has the chops to really threaten the EpiqVision Mini EF22. I took a rough measurement to overall brightness in the Dynamic profile, which achieved 959 lumens with an ANSI test pattern and a matte white screen. There again, it’s just decent. Competitors like the Dangbei Atom and JGMO N1S offer as much, and slightly more expensive options from BenQ and JMGO take it to another level. Gaming on the Epson EpiqVision Mini EF22, I found the projector added considerable latency if it had any sort of processing going on (i.e., keystone correction or digital zoom). With these disabled, the projector still had a tangible delay between actions and on-screen effects, but it wasn’t significant enough to slow me down as I worked my way through numerous encounters in Hades. Oddly enough, there’s no specific picture profile for gaming that would disable the projector’s processing automatically, so you’ll have to manage these settings on your own. With two speakers on the rear of the EpiqVision Mini EF22, it works reasonably well whether you set the projector up in front of you or at the back of the room. They provide a bit of stereo separation, which adds a touch of depth, though they’re no substitute for a dedicated audio system. They get reasonably loud for a small, quiet room, but the sound gets a bit muddled at higher volumes, making it hard to pick out everything that’s going on in a song, for example. You’ll get clear enough mids and a bit of bass, but higher frequencies tend to suffer when the volume is cranked. To the EF22’s credit, it doesn’t mess around with any unsightly motion smoothing. Right from the jump, it provides good, clear motion. Picture and sound quality score: 3/5 (Image credit: Future) Epson EpiqVision Mini EF22 review: Value Effective all-in-one package Comes up short next to the competition The Epson EpiqVision Mini EF22 puts plenty into one package. It’s a decent projector, providing a bright image that can handle impromptu movie nights or let you settle in to binge the next hot series, as long as you turn the lights off. With Google TV, it’s ready to stream a great variety of content with no external sources. And it packs in a good enough set of speakers to make do in quiet, intimate viewing conditions. The built-in stand also proves helpful, making it that much easier to set up in various places without the need to stack up a pile of books or go buy a separate stand. The biggest thing holding the EpiqVision Mini EF22 back in the value department is the competition it faces. You can get much brighter projectors and ones that offer 4K or provide more vivid color for the same price or just a little more. Compared to these, the EpiqVision Mini EF22 ends up feeling lacking. Value score: 3/5 The JMGO N1S Pro 4K comes in a styrofoam carry case. Although portable, it is on the weightier side (Image credit: Future) Should I buy the Epson EpiqVision Mini EF22? Swipe to scroll horizontally Epson EpiqVision Mini EF22 Attributes Notes Rating Design and features Combines everything you need into one device and even builds in a stand that allows for easy setup 4/5 Picture and sound quality Reasonably bright, modestly sharp, and avoids some of the artifacts that affect DLP projectors. But it’s not 4K, and not bright enough to use in well-lit rooms 3/5 Value Not too shabby for a $1,000 projector, but you can get brighter, 4K projectors for the money, and that alone is enough to sink Epson’s value 3/5 Buy it if… Don’t buy it if… Also consider Swipe to scroll horizontally Comparison: portable projectors Header Cell – Column 0 Epson EpiqVision Mini EF22 JMGO N1S Pro LG CineBeam Q BenQ X300G Price: $999 $1,999 $1,299 $1,799 Screen sizes supported: 30 to 150 inches 85-180 inches 50-120 inches 30 to 150 inches Brightness (specified): 1,000 ISO lumens 2,400 ANSI lumens 500 ANSI lumens 2,000 lumens HDR support HDR10, HLG HDR10, HLG HDR10, HLG HDR10, HLG Optical technology: 3LCD, Laser RGB laser DLP RGB laser DLP LED DLP Smart TV: Google TV Google TV WebOS Android TV Connections: 1HDMI ( with ARC), 1x 3.5mm audio 2x HDMI ( 1with eARC), 3.5mm HDMI, USB type-C (display, power) 2x HDMI 2.0 (1 with eARC) USB-C DP Alt Mode (Image credit: Future) How I tested the Epson EpiqVision Mini EF22 Tested at home in multiple, real-world viewing conditions Presented the display with a variety of media and formats I have tested numerous projectors and displays over the last half-decade I tested the Epson EpiqVision Mini EF22 at home, in real-world conditions. This saw it faced with ambient light coming in from numerous windows, in-room lighting, as well as ambient noise that both the projector and speaker systems had to overcome. The projector was tested both against a bare, white wall and an Akia Screens CineWhite screen. It was presented with streamed content, HDR and non-HDR, and PC gameplay. My testing evaluates the projector’s performance concerning its price and competition from other models that I and my colleagues at TechRadar have tested. I have been testing projectors since 2021 and displays for even longer.
Category: Televisions
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This cheap Dolby Atmos soundbar splits into 3 speakers, and has its own Philips Hue-style LED lights too
The Ultimea Apollo S80 splits into three front speakers and a sub Available in Canada now, coming to US and UK in February $209 / £171 / about AU$336 It’s fair to say that most soundbars aren’t very exciting to look at, and don’t tend to go beyond the familiar lozenge shape. But the Ultimea Apollo S80 soundbar is like no soundbar I’ve ever seen. It isn’t just a soundbar. It’s a TV transformer that thinks it’s a Philips Hue system too. If you look at the main image you’d think there’s nothing particularly unusual going on: it’s a soundbar with a separate sub unit, like so many others. But that main soundbar isn’t one unit. It’s three, and you can pull them apart to turn them into completely separate speakers for left, center and right channels – adding the kind of real separation that hardcore home theater enthusiasts espouse. Once you’ve pulled your soundbar apart, you can then leave the speakers standing horizontally or vertically, or you can wall mount some or all of them. However, if you’re thinking of wall mounting, it’s worth noting that although the soundbar has Bluetooth, the speaker units need to be wired to each other. On the plus side, not only do they separate, but the left and right speakers also have LED lighting that you can adjust with the companion app. There are six dynamic scene modes and a color wheel to get the lights just-so. (Image credit: Ultimea) Is a splittable soundbar a good idea? The specification is decent: as Notebookcheck reports, the drivers are 2 inches, the sub is 5.25 inches and it’s a 5.1 system (though that’s five forward channels, not real surround) with Dolby Atmos, optical audio, HDMI eARC, USB and Bluetooth 5.3. We’ve been quite impressed with Ultimea’s affordable soundbars, such as the Ultimea Poseidon D50: while they’re not up there with their more expensive rivals from the likes of Samsung or Sonos, they’re relatively cheap ways to significantly upgrade the sound of your TV, and we rate the Poseidon as being among the best soundbars today if you’re on a budget. You can’t fault the thinking here: it’s not so much thinking outside of the box as thinking in a completely different zip code to the box. But I do wonder who the target market is for this particular unit’s transforming talents, because once you’ve got your soundbar or speakers just-so you’re probably just going to leave them where they are. Sign up for breaking news, reviews, opinion, top tech deals, and more. Having said that, we do like the similarly transformable JBL Bar 1300X with its rear speakers that attach to the soundbar or can be placed behind you when you want them… but those are totally wireless with built-in batteries, and rear speakers are more of an inconvenience to have permanently than front speakers, so the whole step makes more sense. And also costs many times what the Ultimea costs. The big draw here is price: good luck putting together a similar system of separates without having to hit eBay or Aliexpress and seriously lower your standards. The Ultimea Apollo S80 has an list price of $209 / £171 / about AU$336, but it’s currently cheaper with 10% off if you buy direct from the Ultimea website. You might also like
RGB backlighting explained: why the next-gen TV tech is a big deal
RGB backlit TVs are coming, and you’re going to hear a lot about them in the next few years. They’re the next big development in LCD TVs, and they take the technology used in the best mini-LED TVs to a new level. The crucial development of RGB backlit TVs is that the backlight behind the pixels can now show a wide range of colors, instead of a single color, which means you’ll see a wider color gamut when watching, and it should produce better brightness – or the same brightness with less energy use. RGB backlit TVs have been unveiled by Samsung, Hisense and TCL, with the first TVs set to arrive in the second half of 2025. I’ve seen these first sets in the flesh, and the technology really looks set to rival the best TVs, so here’s how it works, and what to expect from it. What is RGB backlighting? Hisense’s depiction of how an RGB backlight translates into the image you see. (Image credit: Future) Let’s start with how current mini-LED backlit TVs work. There’s a grid of tiny LEDs behind the pixels, and these generate the light that will reach your eyes. These LEDs are all blue (another color could be used, but blue is normal), and they pass through a color-filtering layer of pixels, which then convert this blue light to other colors. Filtering color absorbs some energy, however, meaning that this process reduces the brightness of the light significantly as it changes. This is why quantum dots are used in so many TVs – they can filter colors in a very wide gamut, without absorbing too much energy. In RGB backlit TVs, the LEDs behind the pixels aren’t just blue. Each one has red, green and blue elements, which can combine so that the backlight itself is already creating the colors of what’s on-screen even before it reaches the color-filtering pixels. Sign up for breaking news, reviews, opinion, top tech deals, and more. Because the backlight is already projecting the right colors, the color-filtering layer can be less aggressive, which means less light will be absorbed as it passes though. TCL told me that the set it showed off with the technology doesn’t include quantum dots at all. Here’s a video with a depiction of how RGB backlighting looks, and how that translates to the final image. @techradar ♬ original sound – TechRadar What are the benefits of RGB backlighting? The Hisense 116UX at CES 2025. (Image credit: Future) With less aggressive color filtering needed in the pixels, less light is absorbed as it passes through, meaning that you get better efficiency from the backlight. There are two ways that this can benefit us: it can mean higher levels of brightness, making TVs more easily able to overcome reflections in bright rooms; or it can allow us to maintain current levels of brightness, but using less power to do it. The other advantage is the boldness of the colors, and the breadth of colors the TV is able to show. Colors are more vivid, especially in difficult red tones, without becoming overblown or unnatural. A wider color gamut means that when watching HDR video, the TV is able to show even closer to the full color quality of what was captured and mastered in the studio. What TVs are coming? (Image credit: Future) Right now, we know that Samsung, Hisense and TCL have plans in motion to launch RGB backlit TVs. Hisense and Samsung say that they intend to launch sets in the second half of 2025, while TCL says that its TVs will likely arrive in 2026. Hisense appeared to be the furthest along in its launch plans at CES 2025, showing off actual units of what it plans to launch on the show floor. The TV will be called the Hisense 116UX, and we were very impressed by what we saw of it. There’s no pricing or exact release date yet, but there were multiple models on display. We don’t know if it will come in any smaller sizes too, but I’m betting that it won’t – this is a first-gen product for showing off, and Hisense has a history of putting its most elite tech into its largest TV only at first. Take the Hisense 110UXN, for example. TCL showed a set with its RGB backlighting tech, but wasn’t able to share any major further information, other than that it will likely launch next year. It was smaller than 110 inches, though, so may well be worth waiting for. Samsung showed me its own RGB backlit prototype, which is potentially a little different to the others. For a start, the TV I saw was 8K, unlike Hisense’s – although Samsung said that it plans to launch a 4K version in 2025. Samsung it calling its technology ‘RGB Micro LED’, and the LEDs are reportedly much smaller than mini-LEDs (which would enable Samsung to offer amazing brightness and very precise contrast), but I’ve approached Samsung for more information about where this tech sits between mini-LEDs and true micro-LED TVs, and I’ll update if we get more clarity. Samsung’s TV was, notably, 98 inches – but the company says smaller sets may be possible this year. We’ll have to wait and see. @techradar ♬ original sound – TechRadar How much will it cost? I was told by Samsung that it doesn’t expect the cost of its RGB Micro LED backlight to be much higher than its mini-LED tech (which it calls Neo QLED) even early on, which bodes really well for RGB backlights becoming mainstream very quickly, in the same way that mini-LED tech has already filtered down into extremely affordable TVs just a few years after first appearing. However, the first TVs will inevitably be expensive, especially because it seems like they’ll be very large. This is first-gen tech, so the first versions will be aimed at enthusiasts to avoid too much risk of going straight into mass production. So it’s 2026 and 2027 TVs that you need to keep your eye on, and from what I’m hearing, RGB backlighting could be become normal fairly fast – especially with lots of different companies competing over it. Final thoughts RGB backlighting was the break-out TV tech of CES 2025, and though the first sets that use it will be niche and very large, it’s very clearly the next big development in TV tech. The makers of the best OLED TVs are still struggling to bring the price down, and true micro-LED TVs are suffering from a similar problem to OLED in that they have some high fixed costs that don’t have an obvious path to being fixed for years. Mini-LED continues to improve and drop in price, however, and this jump in color depth and efficiency will only keep mini-LED as the best bang-for-your-buck option if it does cost the same as (or close to) current versions. You might also like
Samsung says all sizes of the S95F OLED TV will hit 4,000 nits of brightness – even the W-OLED one
At CES 2025, Samsung unveiled its next flagship OLED TV, the Samsung S95F. While the fanciest feature may be the highly impressive OLED Glare Free 2.0 reflection-reduction coating, there were two other elements that Samsung shouted about: a new 83-inch size option (along with the 55-inch, 65-inch and 77-inch sizes already available); and the promise of dazzling brightness at up to 4,000 nits. Given that in our testing of the best OLED TVs, we have yet to measure one that makes it past 2,000 nits of brightness, I had to know more about this, and I spoke to Samsung about exactly what to expect. One reason I wasn’t sure about it was that the new 83-inch model doesn’t use the same Samsung QD-OLED screen technology as the other sizes; instead, it uses a W-OLED panel, made by LG Display. Samsung didn’t confirm this, but given the brightness claims, it must be the latest-generation ‘four-stack’ OLED panel from LG. Samsung says that every size of S95F will have the same level of performance, including the promise of hitting 4,000 nits of peak HDR brightness. However, Samsung specified that this claim is definitely an extreme one – something the panel is capable of doing in real life, but it’s unlikely to happen much. The company told me this can be hit in a 3% HDR window for a few seconds, and will presumably require a particular image mode to achieve. The more useful real-world measurement, and no less impressive in that context, is that Samsung says all models will be able to hit 2,000 nits of peak HDR brightness in a 10% window, and this can be sustained. (Image credit: Future) That is still higher than we’ve measured from any OLED TV to date, and really brings OLED TVs into line with the best mini-LED TVs for peak brightness (at least, the mainstream ones – not the likes of the Hisense 110UX and its claims of up to 10,000 nits). Fullscreen brightness for this year’s OLED TVs seems to be improved as well – there’s talk of the S95F jumping to just under 400 nits, from about 320 nits for the S95D. The LG G5 flagship OLED promises a 40% jump in fullscreen brightness, which would put it at about 350 nits. Sign up for breaking news, reviews, opinion, top tech deals, and more. However, those figures are still much lower than higher-end mini-LED TVs, which can hit 500-600 nits of fullscreen brightness, which is why we rate them as the best TVs for sport, where brightness across the whole screen is important, in order to make everything bright and vibrant at once, and to beat reflections (although that’s what Samsung’s Glare Free coating is supposed to help with). Time to drop the old concerns? In the past, when Samsung has mixed QD-OLED and W-OLED panels at different screen sizes, it’s given us a big headache. Take the Samsung S90C OLED TV, which we rated at the best TV overall for a long time… at least, at most sizes. Just like the Samsung S95F, that set came in 55-inch, 65-inch, 77-inch and 83-inch sizes – and the three smaller sizes were made with a Samsung QD-OLED screen, while the 83-inch size was an LG W-OLED panel. The problem was that, at the time, the mid-range QD-OLED screens were far brighter than LG’s mid-range W-OLED screens, so we basically just had to say that we didn’t recommend the 83-inch size, because we felt that the 83-inch LG C3 was better value given that it used the same panel. So in the past, every time I heard that Samsung was using different panel types at different sizes for one of its OLEDs, I got an instant migraine. We knew the performance of these panels, and we knew they couldn’t be equivalent. But Samsung says that’s not the case in the S95F. I was told very confidently that the promise of 4,000 nits of extreme peak brightness and 2,000 nits of sustained peak brightness will apply to the 83-inch W-OLED size as well as the QD-OLED size. Obviously, we’re aiming to measure and confirm this ourselves – I can only hope we’re about to get our hands on it sooner rather than later, because the S95F is absolutely one of the most exciting TVs of 2025. You might also like
Hisense 110UXN review: a super-bright, 110-inch mini-LED TV
Hisense 110UXN review: Two minute review The Hisense 110UXN is the company’s flagship mini-LED TV and has a cinema-sized 110-inch screen. Hisense’s mini-LED TVs often sit among the best TVs, but the 110-inch is both amazing and frustrating. A quick note – the model I tested is referred to as the Hisense 110UXN in the UK, and although it is essentially the same TV as the Hisense 110UX in the US, the latter’s panel is said to have exceeded 10,000 nits brightness, whereas the UXN is capped at 10,000 nits. As a result, I will refer to it as the UXN, but it is the same TV as the 110UX in all but brightness. Priced at $14,999 / £19,999 (roughly AU$24,300), the Hisense 110UXN, while cheap for a TV this size and with this level of technology, is still a premium-priced set that will outstretch most people’s budgets. Picture quality on the 110-inch UXN is generally very good. It has dynamic, bold color, black levels matching the best OLED TVs, balanced contrast and lifelike detail. Brighter content looks amazing, but backlight blooming issues keep its picture from true greatness. The 110-inch UXN’s sound is immersive, punchy and detailed. Pushed to higher volumes, it never distorts, demonstrating tight control. Dolby Atmos effects are limited in their presentation, however, often seeming lost in the mix, and bass sometimes feels limited. While most will be happy with the 110-inch UXN’s sound for everyday viewing, those looking for sound quality to match the picture may want to invest in one of the best soundbars. The 110-inch UXN’s excellent gaming features including 4K 144Hz, VRR (with AMD FreeSync Premium Pro), Dolby Vision gaming and ALLM, rank it up there with the best gaming TVs. Performance-wise, the UXN is responsive, smooth, and a joy to play on. Gaming on a screen this big is a fun experience! It does only feature two HDMI 2.1 ports – something those with multiple consoles should keep in mind. The 110-inch UXN sits at the top end of the TV market and is priced at a premium. For a screen this big, you may want to instead consider one of the best 4K projectors, many of which can be found for substantially less while delivering an equally large picture. Hisense 110UXN review: Price & release date (Image credit: Future) Release date: November 2024 110-inch price: $15,000 / £20,000 / around AU$24,300 The Hisense 110UXN is Hisense’s flagship mini-LED TV for 2024 (smaller sizes were released at the end of 2023). It sits above the rest of the company’s ULED range, including the Hisense U8N, Hisense U7N and Hisense U6N. Released in November 2024 in the US and December 2024 in the UK, the 110-inch UXN is a premium-priced TV, with initial launch prices of $20,000 and £20,000 in the US and UK, respectively. The 110-inch UXN has since fallen to $15,000 in the US. Hisense 110UX review: Specs Swipe to scroll horizontally Screen type QLED with Mini-LED Refresh rate 120Hz (up to 144Hz) HDR support Dolby Vision IQ, HDR10+, HDR10, HLG Audio support Dolby Atmos, DTS Smart TV Google TV (US/Aus), VIDAA (UK) HDMI ports 4 (2x HDMI 2.1) Built-in tuner ATSC 3.0 tuner Hisense 110UXN review: Benchmark results Hisense 100UXN review: Features (Image credit: Future) Mini-LED panel with 40,000 local dimming zones Dolby Vision and HDR10+ HDR support Hi-View Engine X Processor The Hisense 110-inch UXN uses a mini-LED panel with up to 40,000 local dimming zones. It features the company’s flagship Hi-View Engine X processor, which uses a 16-bit neural AI chipset to provide AI picture and sound options. Hisense claims the 110-inch UXN can hit 10,000 nits peak brightness (more on how I got on with that later), making it one of the brightest TVs available. It supports both the Dolby Vision IQ and HDR10+ HDR formats, as well as IMAX Enhanced. For sound, the 110-inch UXN has a 4.2.2-channel speaker array, including both up-firing and side speakers, and supports both Dolby Atmos and DTS:X surround sound formats. It also has Hisense’s Hi-Concerto feature, which enables the TV’s built-in speakers to work with compatible Hisense soundbars and wireless speakers. Gaming is well covered on the 110-inch UXN, with 4K 144Hz, VRR (AMD FreeSync Premium Pro included), ALLM and Dolby Vision gaming all accounted for. It’s said to support 240Hz at 1080p HD resolution, but I was unable to test this. It does only come with two HDMI 2.1 ports, as is currently the case for all non-LG and Samsung TVs. The 110-inch UXN is a formidable TV, weighing 85kg (187 pounds) but has a surprisingly slim design for a TV of this size and a premium metal-finished frame. Hisense’s smart TV platform depends on your region. The US and Australia get Google TV. For the UK, HIsense uses its own VIDAA smart TV platform, which has ample settings to customize picture and sound and provides access to all major streaming apps such as Netflix and UK-based streaming ones such as BBC iPlayer and ITVX. It also supports Freely in the UK, which allows for live broadcast TV to be streamed over Wi-Fi. Features score: 4.5 / 5 Hisense 110UXN review: Picture quality The Hisense 110UXN has bold, bright and vivid colors that make pictures jump off the screen. (Image credit: Future) Superb detail and contrast Bold, bright images Picture requires some setup Hisense claims that the 110-inch UXN can hit 10,000 nits of peak brightness and while I wasn’t quite able to confirm this, I did measure 9,600 nits on a 5% white HDR window pattern in Standard Mode. Crucially, however, this was achieved using the AI Brightness Burst adjustment in Picture Settings, which intermittently increases brightness. Measured on the 10% HDR white window pattern we use for testing, the 110-inch UXN clocked in at 3,050 nits and 2,665 nits in Standard and Filmmaker modes, respectively. Fullscreen brightness measured using a 100% HDR white window pattern hit 941 nits in Standard – one of the highest fullscreen brightness results I’ve ever measured – and 628 nits in Filmmaker Mode. Moving onto viewing, an HD stream of Fight Club on Disney Plus showed decent contrast and shadow detail, but textures were soft – unsurprising given the size of the screen. Generally, picture quality for SDR pictures was acceptable, but the TV’s upscaling didn’t do much to enhance the picture quality. Watching 4K HDR programs on streaming services and Blu-ray, I had to tweak the picture settings a fair amount to get a picture I was happy with. If you’re going to purchase this TV, be prepared to invest time into getting the picture right. I found that turning off settings such as Ultra Resolution helped. For my HDR viewing, I generally stuck to Filmmaker Mode and Dolby Vision Dark for Dolby Vision movies. Those looking for a brighter picture can opt for Dolby Vision IQ, but note that you can’t alter the motion smoothing which is set to on by default in that mode. Colors on the 100-inch UXN are vibrant, bright and accurate. Watching a 4K Dolby Vision stream of Star Wars: The Last Jedi on Disney Plus, the reds throughout the throne room fight scene had plenty of punch. Similarly, watching a 4K Blu-ray of La La Land, colors were dynamic and boosted by the TV’s high HDR brightness, which gave Mia’s yellow dress a vibrant glow against the dark backdrop in the ‘A Lovely Night’ scene. The Hisense 110UXN delivers impressive contrast and detail, as shown here during a street shot in The Batman. (Image credit: Future) Measuring the 110-inch UXN’s HDR color gamut coverage, it yielded 97.9% for UHDA-P3 and 84% for BT.2020, both of which are phenomenal results. It also achieved a 1.7 average (below 3 is good) for SDR color accuracy, another impressive result. The 110-inch UXN’s black levels were deep and it displayed great shadow detail throughout testing. In the opening section of The Batman, details in clothing and objects were maintained in the dimly lit scenes. Contrast was also very good, with a solid balance between the darker backgrounds and lamp lights and torches. The Batman is a challenging movie due to its low-light mastering (400 nits), and I could see backlight blooming around brighter objects and people during my viewing. Setting the local dimming to Medium or Low (High was the default) in picture settings helped to lessen the issue, though some blooming was still present throughout most content with darker scenes that I watched. Picture detail was realistic and refined throughout my viewing. In Top Gun: Maverick, every facial mark and hair was visible in close-up shots in the cockpit. The same was true for the clothing in The Batman and La La Land, where fabric and textures looked authentic and accurate. Motion was generally well handled by the 110-inch UXN. When watching sports including soccer and rugby, it displayed camera pans and fast-moving images with a good level of solidity, though it did benefit from the motion smoothing provided by the Standard preset. And when watching Top Gun: Maverick, the 110-inch UXN handled the chaotic flight sequences well with motion settings turned off. Picture quality score: 4 / 5 Hisense 110UXN review: Sound quality Side-mounted speakers on the 110UXN greatly help with spatial audio (Image credit: Future) 4.2.2-channel speaker array Expansive, accurate sound Bass sounds contained at times The 110-inch UXN has a 4.2.2 channel, 102W built-in speaker array and supports Dolby Atmos and DTS. Two up-firing speakers sit at the top of the frame, and there are two side-firing speakers and two subwoofers on the rear. I found the best sound mode for most viewing was Theater. Watching The Batman, screeching tyres and swerving traffic were accurately placed on screen during the Penguin-Batmobile car chase. In La La Land, the jazzy score was tightly controlled and had an excellent balance between the brash trumpets, warm bass tones and beating drums. I did find that Dolby Atmos effects, while present, weren’t very pronounced. In The Batman, the rain throughout the movie was audible but the effect wasn’t as powerful as what I’ve heard on some of the best OLED TVs. Bass was decent throughout, but it didn’t have the power I was expecting from two built-in subwoofers. Overall, most people won’t feel the need to attach a soundbar to the 110-inch UXN. But, if you’re looking for sound to match the picture, you may want to invest in one. Sound quality score: 4 / 5 Hisense 110UXN review: Design Despite its imposing size and weight, the Hisense 110UXN is surprisingly slim (Image credit: Future) Trim design and profile despite size Weighty Basic feet for a premium TV The 110-inch UXN weighs a whopping 85kg (187 lbs) and comes with two carry handles on the rear for transportation. This is a hefty TV that will require multiple people for installation. Despite its size, the 110-inch UXN is slimmer than you’d expect, and its trim bezel means most of the 110-inch screen is used to display pictures. It uses two support feet, which is typical for a TV this size. Hisense’s remote is USB-C rechargeable and takes cues from Samsung’s SolarCell TV remote with a solar panel on the rear in place of traditional batteries. While it is a bit bottom-heavy, the remote has a nice, burnished steel look and a premium feel. Design score: 4 / 5 Hisense 110UXN review: Smart TV & menus VIDAA (Hisense’s smart TV platform in the UK) is responsive on the 110UXN and has plenty of settings to customize the picture (Image credit: Future) Google TV in the US and Australia, VIDAA in the UK A good number of settings for picture customization Slightly laggy navigation The 100-inch UXN’s smart TV platform varies depending on your region. In the US and Australia, you get Google TV and if you’re in the UK, you get Hisense’s own VIDAA. I tested this in the UK so will be discussing VIDAA, but If you want to know about Google TV, check out our Hisense U8N review. VIDAA has access to all the best streaming apps like Netflix, Disney Plus and Prime Video, and major UK streaming apps such as BBC iPlayer, ITVX and Channel 4. It also supports Freely, a service that enables you to watch broadcast TV live over Wi-Fi without the need for any cable or satellite dish. There are a good number of picture settings, something I found necessary to apply. VIDAA ran more smoothly than on budget sets I’ve tested such as the Hisense U6N and Hisense U7N thanks to the 100-inch UXN’s stronger processor. VIDAA is not the most visually appealing smart TV platform, however, with menus that look a little bland and dated. Smart TV & menus: 4 / 5 Hisense 110UXN review: Gaming The Hisense 110UXN boasts an impressive list of gaming features and superb graphics (Image credit: Future) 16.1ms input lag time Big-screen gaming is fun A good number of gaming features The 110-inch UXN only has two HDMI 2.1 ports but supports 4K 144Hz gaming, with VRR (AMD FreeSync Premium Pro), ALLM and Dolby Vision gaming all featured as well. There is no dedicated Game picture preset(other than Dolby Vision Game), with the TV’s Game Mode overlaying the existing picture presets. It also features a Game Menu where settings can be adjusted on-the-fly. I found that Standard picture mode with Game Mode turned on suited gaming best. The 110-inch UXN’s input lag time measured 16.1ms at 4K 60Hz. (Gamers typically look for under 15ms.) However, I generally found the 110-inch UXN to be responsive and fun to play on. With Battlefield V on Xbox Series X, it handled chaotic gunfights and packed battle sections well. I did find when using the Game Mode menu that frame rates generally varied from 98Hz-120Hz, but this didn’t deter from my experience. The 110-inch UXN displays graphics in a dynamic, bright and colorful manner. Playing a desert mission in Battlefield V, the vast waves of sand and bright blue skies all looked punchy and accurate. Gaming score: 4.5 / 5 Hisense 110UXN review: Value The Hisense 110UXN comes with Hisense’s premium remote, which has a USB-C port and solar cell on the bottom rear, both for charging (Image credit: Future) Very pricey Significantly more expensive than ultra short throw projectors Cheaper than large micro-LED and OLED TVs At $15,000 / £20,000 (roughly AU$24,300), the 110-inch UXN is a super-premium mini-LED TV that will outstretch most people’s budgets. This is roughly the same price as one of the best projectors, the JVC DLA-NZ800, which retails for $14,999 / £14,999 (roughly AU$24,300). It’s also pricier than the best ultra short throw projectors such as the Samsung The Premiere 9, which costs $5,999 / £5,999 (roughly AU$9,750). Although the 110-inch UXN is cheaper than 97-inch OLED models and larger micro-LED screens and offers uniquely high brightness levels and very good picture and sound quality, it still goes a step too far price-wise compared to other premium sets. Value score: 3 / 5 Should you buy the Hisense 110UXN? The Hisense 110UXN comes at a premium price that most won’t be able to afford (Image credit: Future) Swipe to scroll horizontally Hisense 110UXN Attributes Notes Rating Features Super-bright mini-LED panel with Hi-View X processor 4.5/5 Picture quality Bright, colorful and detailed picture with decent contrast, but requires setup and backlight blooming is present 4/5 Sound quality Punchy, accurate sound with good directionality but can feel contained with sometimes lacklustre bass 4/5 Design Sturdy build quality with trimmer than expected design, but weighty 4/5 Smart TV and menus VIDAA is responsive with plenty of settings, but looks a little dated and can stutter at times 4/5 Gaming Great array of gaming features including 144Hz and AMD FreeSync Premium Pro, but only two HDMI 2.1 ports 4.5/5 Value Pricey TV that will outstretch almost most budgets, but does provide a unique experience 3/5 Buy it if… Don’t buy it if… Also consider Swipe to scroll horizontally Header Cell – Column 0 Hisense 110UXN Hisense U8N (65-inch) Samsung QN90D Price $14,999 / £19,999 / around AU$24,300 $1,499.99 / £1,799 / AU$2,699.99 $1,899 / £1,999 / AU$3,995 Screen type Mini-LED Mini-LED Mini-LED Refresh rate 120Hz (up to 144Hz) 120Hz (up to 144HZ) 120Hz (up to 144Hz) HDR support Dolby Vision IQ/HDR10/HLG/HDR10+ Dolby Vision/HDR10+/HDR10/HLG HDR10+/HDR10/HLG Smart TV Google TV (US/Aus), VIDAA (UK) Google TV (US/Aus), VIDAA (UK) Tizen HDMI ports 4 (2x HDMI 2.1) 4 (2 x HDMI 2.1) 4 x HDMI 2.1 How I tested the Hisense 110UXN (Image credit: Future) Tested in light controlled cinema room Tested SDR and HDR sources for picture quality Measurements taken using Portrait Displays’ Calman color calibration software I tested the Hisense 110UXN in a light-controlled cinema room at the headquarters of AWE, a Hisense TV distributor. I spent the first portion of my time with the UXN doing casual viewing to establish the most accurate picture mode, which in this case was Filmmaker Mode. For my critical viewing, I used several reference scenes from both SDR (broadcast TV and streaming) and HDR sources (4K Blu-ray and streaming). I tested the UXN’s picture for color, contrast, black level, detail, HDR performance and motion. I also used these same sources to test the UXN’s audio performance. To play 4K Blu-rays, I used the Panasonic DP-UB820 4K Blu-ray player. I also tested the UXN’s gaming performance and features using an Xbox Series X. After this, I moved on to objective testing, which involved taking measurements with Portrait Displays’ Calman color calibration software, two colorimeters and a test pattern generator. I used both SDR and HDR white window test patterns ranging from 1-100% in size to measure the UXN’s brightness, focusing on 10% for peak brightness and 100% for full-screen brightness. I then measured the UXN’s color and grayscale accuracy, looking for an average measurement below 3. I also measured the UXN’s HDR coverage of the UHDA-P3 and BT.2020 color spaces to see how accurately the UXN can display colors with ultra-high definition (UHD) sources. Finally, I measured the UXN’s input lag using a Leo Bodnar 4K HDMI input lag tester, with under 15ms representing an ideal result for gaming. For a more detailed explanation of how we test TVs at TechRadar, check out the link.
LG ‘four-stack’ OLED TV panel explained: I’ve seen the dazzling 4,000-nit panel, and here’s how it works
One of the biggest TV developments at CES 2025 was a new fourth-generation ‘four-stack’ OLED panel developed by LG Display, an independent wing of LG that provides the raw display panels for LG Electronics and other TV makers. LG Display wasn’t exhibiting, but its panel could be found in a new LG G5 OLED TV shown in an off-site preview at the show and in the new Panasonic Z95B OLED, which also uses it. The specs for LG’s fourth-generation OLED panel are impressive, with a peak brightness of 4,000 nits – 33% brighter than the third-generation ‘MLA’ panel used in the LG G4 OLED and other TVs. LG Display is also claiming 2,100 nits color brightness, which is a 40% improvement. It’s unlikely TVs like the LG G5 and Panasonic Z95B will actually yield such high brightness levels in typical use – we measured peak brightness of the LG G4, one of the best OLED TVs and a model specified for 3,000 nits in theoretical use, at just under 1,500 nits in real-world tests. But the prospect of OLED TVs with higher brightness, which LG Display considers “a key picture quality factor because it enables more vivid images that are akin to natural human vision,” is enticing, and it will allow the technology to more effectively compete with the best mini-LED TVs. Let’s dig into details of LG’s fourth-generation panel to see how it differs from previous OLEDs. Primary RGB Tandem structure World’s 1st Primary RGB Tandem Tech, Unmatched Picture Quality!! | 4th Generation OLED – YouTube Watch On LG Display calls its fourth-generation panel Primary RGB Tandem structure, which references the individual red, green, and blue OLED layers used to produce light. Previous panels were a three-stack design using two blue layers, with red, green, and yellow elements combined in a third layer. In the third-generation panel, this was augmented with a micro lens array (MLA) layer that uses microscopic lens elements to boost light output from the panel. In the new design, red and green layers are sandwiched between two blue layers. This four-stack structure serves to increase overall light output, and is effective enough that an MLA layer is no longer needed or used. The separation of red, green, and blue elements also enhances color purity and is responsible for the fourth-generation panel’s color brightness increase. Higher brightness is typically associated with higher power consumption, but LG Display claims that its new panel design has “around 20% greater energy efficiency than the previous generation (in the case of a 65-inch panel).” According to the company, this was achieved through enhancements to the panel’s power supply system, and it’s expected to compensate for the higher power consumption needs brought about by AI features for picture processing and other automated tasks. Sign up for breaking news, reviews, opinion, top tech deals, and more. The third-generation LG Display panel used in OLED TVs such as the LG G4 did a very good job maintaining solid black levels even in well-lit rooms, something I confirmed in a comparison between the G4 and the Samsung S95D. For the fourth generation panel, LG Display has added “ultra-low reflection technology,” which is a screen coating that “offsets both light reflected from the display’s surface and light absorbed and reflected inside the panel.” According to the company, ultra-low reflection technology blocks 99% of screen reflections while maintaining “perfect blacks” even when viewing in daylight conditions. Furthermore, LG Display says its new panel can maintain 100% color accuracy in such conditions, making it “the only display to overcome the viewing environment limitations of conventional displays.” The new LG G5 OLED TV looking bright at CES 2025 (Image credit: Future) OLED without limits Having spent many years in the trenches testing TVs, I can confirm that the best TVs get brighter every year. Up until recently, OLED models lagged well behind mini-LED ones when it came to both peak and fullscreen brightness, but tech developments such as MLA and Samsung Display’s QD-OLED, which combines an OLED panel with a quantum dot layer, have allowed OLED TVs to play catch-up. The new LG G5 and Panasonic Z95B are high-end models and they will sell for a premium price. But to judge from what we saw at CES 2025, these new flagship OLED TVs will deliver more than satisfactory brightness, enabling a full array of highlight detail in 4K movies and TV shows with high dynamic range, and also providing sufficiently bright and high-contrast pictures when viewing in rooms with a high level of ambient lighting. In past years, that level of flexibility was exclusive to the best mini-LED TVs, but it now looks like OLED TVs have finally leveled the playing field. And with mini-LED backlighting tech making steady year-on-year improvements, in the best cases yielding OLED-like black level and shadow detail performance, it couldn’t come at a better time for OLED. You might also like…
LG’s most stunning OLED TV of all time made a surprise secret return at CES, with a wireless twist
The ultra-thin “wallpaper TV” is coming back Zero Connect wireless technology as seen in the LG M5 The latest-gen OLED tech is included Way back in 2017, LG made a TV that was truly breathtaking – only to stop making it in 2020. But a new official image shows that it’s coming back, and it’s even better than before. The new TV is the LG W5, and it’s the successor to the TV officially called the LG W7 Signature Series but known to everybody as the Wallpaper TV. The W7 (pictured below) got its nickname because it was so thin you stuck it to the wall like wallpaper, albeit with magnets instead of wallpaper paste; all the electronics were in a separate soundbar. It wasn’t cheap – the biggest model was $19,996 (about £16,000 or AU$26,500) – but it was stunning. As we said in our LG Signature OLED W7 review, it was “thinner than we even thought possible”. And now it’s back, and it’s even smarter thanks to LG’s wireless tech. (Image credit: LG) What we know about the LG W5 OLED TV LG isn’t confirming or denying anything, but the new TV was entered for and won a CES Innovation Award this month – and as FlatpanelsHD spotted, there’s a whole page on the CES website about the W5. It says: “The 4K 77-inch W5 is the culmination of many years of LG technical knowhow. Less than ½” thick, it blends into your wall without visible AV wires. This is achieved without compromise, as the TV offers LG’s best OLED picture quality, featuring a brighter more colorful OLED display capable of gaming (up to 144Hz with VRR). It includes LG’s most advanced α11 AI Processor inside a Zero Connect Box that wireless sends your AV connections to the TV, eliminating clutter and freeing TV placement. The W5 is the perfect TV, offering the best of what is possible in a TV.” The big improvement over the previous model is that the new TV uses the same Zero Connect wireless box as the LG M5, making it even more like part of your home décor as well as making it very flexible: as we’ve previously said, the wireless box is suitable for gaming as well as home entertainment, and is more flexible than previous versions, because it can now be hidden in a cupboard without spoiling the wireless communication. Sign up for breaking news, reviews, opinion, top tech deals, and more. It’s hard to say why LG didn’t show the TV off at CES fully – perhaps there was a problem with its initial units, or perhaps the whole launch needs to be delayed. But I’m happy to see such an iconic design return, because this seems like the ideal use of LG’s wireless tech. No doubt it’ll be devastatingly expensive compared to the best OLED TVs – but it’ll probably be super-desirable anyway. You might also like
XGIMI MoGo 3 Pro review: a strong contender for the portable projector crown
XGIMI MoGo 3 Pro review: Two-minute review Chinese electronics brand XGIMI is on a continued mission to be the brand of choice when searching for a projector, hoping to lure you away from the likes of Samsung, BenQ or LG in the process. The MoGo 3 Pro, released alongside the much higher-end Aura 2 4K UST projector towards the end of 2024, certainly has a resumé to suggest it’s in with a fair shot of becoming one of the best portable projectors: full HD resolution, 450 ISO lumens brightness, Google TV and Netflix onboard and, of course, a portable design. And yes, I recognize XGIMI has diverted away from the design of the previous two MoGo projectors and has instead adopted something akin to Samsung’s The Freestyle projector. Admittedly, the new XGIMI MoGo 3 Pro’s new look does make it a lot more portable and it has added practical benefits. The cylindrical design allows the projector lens to remain covered up when it’s not in use and it can be tilted through a 130º angle. XGIMI claims this allows the projector to beam onto the ceiling but, in my use, I wasn’t able to do so without physically angling the whole projector unit itself. A full 180º of tilt would allow it to perform better in this regard, if that’s what you’re looking for in a projector. Images projected onto a wall using the XGIMI MoGo 3 Pro are of excellent quality, although you will want to dive into the picture settings to make some adjustments for the best results. Out of the box, images could look washed out and overexposed, but after diving into the albeit limited picture settings and making a few adjustments, I found that the projected images were able to deliver good color and contrast. I was impressed with its ability to combat some bright ambient light filtering into my testing room, too. Naturally, when the lights went down, the images projected onto my wall became much clearer. (Image credit: Future / Max Langridge) Because the MoGo 3 Pro is a portable projector it needs to rely on its built-in speakers for sound, which is where things get less positive. The XGIMI MoGo 3 Pro has 2 x 5W Harman Kardon speakers built in which, sadly, fail to deliver anywhere near a cinematic experience, despite XGIMI’s claims. Dolby Audio and Dolby Digital Plus are both supported formats, but it adds little to what is an overall unengaging sound. For casual viewing with friends, family or even by yourself, it can pass, but if you’re planning on movie nights when you’re away camping or on holiday, for example, then you’ll likely be disappointed. You can connect a Bluetooth speaker to help boost things on the audio front, and a Mini HDMI connection is onboard with ARC support, meaning you can connect a soundbar, for example, using a Mini HDMI-to-HDMI cable. But if you’ve taken the MoGo 3 Pro away on a camping trip, you’re unlikely to have access to a full-fat external audio system. The XGIMI MoGo 3 Pro also doesn’t have a built-in battery, which naturally can also affect its portability. If you know you’re going to want to take it somewhere where a power outlet won’t be accessible, then you can connect a USB-C power bank with a minimum power output of 65W, or you can buy the optional PowerBase stand, which not only raises the projector off the ground or a small table, but has its own built-in battery to keep it powered. XGIMI says the stand allows you to “continuously play a full-length movie without interruption,” although I found that would be the case only if said movie is 2.5 hours or less. The other disappointing aspect I found when using the XGIMI MoGo 3 Pro was that it could be slow in use. Volume adjustments using the remote control took a few seconds to register; navigating around the main home page regularly suffered from lag and I even found when trying to watch a particularly fast moving scene from The Incredibles on Disney+ that the projector just completely crashed. I should stress that this was an isolated incident that I couldn’t repeat with other fast-motion content such as sports. The XGIMI MoGo 3 Pro projector is, ultimately, a good option for anyone who wants big-screen thrills when on the go or perhaps as an option for a second bedroom at home in place of installing a TV. Keep in mind when comparing projectors, the 450 ISO lumens from the MoGo 3 Pro is about equivalent to 500 ANSI lumens. It does well against its main competition, Samsung’s The Freestyle projector, particularly when it comes to brightness. But, if your budget can stretch, you’ll find greater performance from the likes of the 4K RGB Laser equipped LG CineBeam Q. XGIMI MoGo 3 Pro review: Price & availability Launched on September 6, 2024 List price of $449 / £429 / AU$1,099 Optional accessories cost extra The XGIMI MoGo 3 Pro was announced and officially launched at IFA Berlin on September 6, 2024, alongside the Aura 2 4K UST projector. It’s available to buy now for $449 / £429 / AU$1,099 for the standalone projector. You can buy it bundled with the PowerBase stand for $499 / £499 / AU$1,199 You can also pick up an optional carry case for the MoGo 3 Pro projector, which is only available in green, for $69 / £59 / AU$99. The XGIMI MoGo 3 Pro portable projector’s list price is significantly less than the Samsung The Freestyle projector in the US, UK and Australia. However, Samsung’s projector does have greater HDR support, with HDR10+ available. The MoGo 3 Pro maxes out at ‘standard’ HDR10, although as we said in our Samsung The Freestyle projector review, “I didn’t see much of a picture quality difference when viewing in HDR from standard HD format”, so the MoGo 3 Pro’s lack of extended support isn’t necessarily a mark against it. XGIMI MoGo 3 Pro review: Specs Swipe to scroll horizontally Screen size support: 40 to 200 inches Brightness (specified) 450 ISO Lumens HDR support: HDR10 Optical technology: LED, DLP Smart TV: Google TV Connections: Micro-HDMI, USB-A, USB-C (power), Bluetooth 5.1 Dimensions: 8.1 x 3.7 x 3.7 inches / 204.9 x 95 x 95mm (H x W x D w/integrated stand) Weight: 2.42lbs / 1.1kg XGIMI MoGo 3 Pro review: Design & features (Image credit: Future / Max Langridge) Compact and lightweight Google TV interface Can double up as a Bluetooth speaker The XGIMI MoGo 3 Pro sports a cylindrical form factor and is finished in an anodized silver aluminum color. It’s lightweight at just over one kilogram, making it a breeze to not only move around your home, but to throw into a bag to take on the road with you. The main projector unit itself features an integrated stand, which also houses the built-in speaker system. When connected to power, the MoGo 3 Pro turns on as soon as you lift it up to separate it from its stand. You can then tilt it through 130º to project an image onto a wall or screen. Alternatively, when you lift the projector from its integrated stand to power it on, you can leave it in this position, where it will light up in one of three selectable colors. In this mode, you can use it as a nightlight or you can stream music to it via Bluetooth, and you can select an option that will see the light pulse – this is more of a flickering of the light rather than it moving in time with the music. (Image credit: Future / Max Langridge) A remote control comes supplied with the XGIMI MoGo 3 Pro and two AAA batteries to power it. The remote feels good to hold, although I wasn’t enamored with the layout of the buttons. I found it required a bit of a learning process: the home button is in the bottom right for example and I’m used to it being more central on the majority of other remote controls I’ve used. I also occasionally pressed the Google Assistant button when I actually wanted to select ‘settings’. The remote control isn’t backlit, which can make things even trickier. Fortunately, the volume button is in an obvious and hard-to-miss place at the bottom, although I found the projector took a short while to register whenever I wanted to turn the volume up. Alternatively, because the XGIMI MoGo 3 Pro uses the Google TV operating system, you’re able to use your phone as a remote control via the Google Home app. The single-chip DLP projector uses an LED light source, which XGIMI says is good for 25,000 hours of use. The company’s ISA 2.0 technology is onboard, which gives access to a number of especially useful setup tools, including automatic keystone correction, autofocus, obstacle avoidance, screen alignment and eye protection. Automatic screen adjustments are just a click away via a button on the remote control and you’re free to manually adjust settings further if you wish. I found autofocus to be the most successful of all the settings, while auto keystone correction delivered mixed results. The idea of this setting is that it will automatically realign the screen if you move the projector around. In most instances it worked fine, but I was occasionally forced to dive into the manual settings to get the screen aligned properly. Image 1 of 2 (Image credit: Future / Max Langridge) (Image credit: Future / Max Langridge) A small selection of accessories is available for the MoGo 3 Pro, including a PowerBase stand which has a built-in 20,000mAh battery for keeping the projector running when a power outlet isn’t accessible. XGIMI says it’s good for 2.5 hours of playback time when the projector’s brightness setting is set to Eco mode, which is just enough for movies such as Deadpool vs Wolverine, but too short for recent releases such as Wicked. When using the MoGo 3 Pro with just the PowerBase stand, the projector defaults to Eco mode. It can be changed, but it will impact battery life significantly. A carry case is also available to keep it better protected during transport and a Creative Optical Filter can be placed over the MoGo 3 Pro’s lens to project a much larger image onto a wall. It’s intended to be used with the XGIMI Wall app to project underwater seascapes or immersive starry night sky images. While the XGIMI MoGo 3 Pro features a Mini HDMI input for connecting to either an external sound system or a media streaming device, for the most part, you’ll likely be using the built-in apps to access content. In this regard, it’s good news as the MoGo 3 Pro uses Google TV, which provides access to a huge selection of apps and services. Perhaps most crucially, Netflix is supported. The ubiquitous streaming service doesn’t always play nicely with projector systems – a third-party app is required to access it on XGIMI’s own Aura 2 for example, which uses the Android TV OS instead – so it’s great to see it front and center here. In a similar vein to the Samsung Freestyle projector, the XGIMI MoGo 3 Pro uses the older Wi-Fi 5 standard, which is more than capable enough to handle streaming, and didn’t cause any issues during my use. (Image credit: Future / Max Langridge) As a predominantly streaming-focused projector, connections on the MoGo 3 Pro are limited to micro HDMI. It would have been great to have received a cable or adaptor in the box, but alas, you’ll need to buy one if you want to connect an external gaming console, Blu-ray player, or other HDMI source. The micro HDMI connection does support HDMI-ARC, which allows you to connect it to a soundbar or other audio system, but there isn’t a 3.5mm audio output. You can also stream music to the projector via Bluetooth, or from the projector to a Bluetooth speaker thanks to dual Bluetooth support. I connected the projector to a Beats Pill to test this feature and experienced no obvious signs of audio delay. Android users can stream wirelessly via Google Cast, and AirPlay is supported too. XGIMI says in the support menus that you need to download the MagiCast app from the Google Play Store, but I searched for it and had no luck. I eventually found another app called AirMirror that allowed me to mirror the screen of my iPhone and stream music via AirPlay. Design & features score: 4 / 5 XGIMI MoGo 3 Pro review: Picture & sound quality (Image credit: Future / Max Langridge) Decent brightness even in ambient light conditions Impressive picture quality after some adjustments Sound is poor unless you turn it up to maximum I went into my review of the XGIMI MoGo 3 Pro with limited expectations about the picture quality it would be able to produce, given its size and limited specs. I’d previously reviewed the XGIMI Aura 2 which produced a gorgeous and bright image, but this was expected since it has a 2300 ISO lumens rating. The MoGo 3 Pro’s 450 ISO lumens rating, therefore, suggested to me it would only really function at its best in the dark. The XGIMI MoGo 3 Pro supports the HDR10 HDR format, which did provide some benefit to contrast in movie scenes with dark and bright elements. The company claims the projector supports 90% of the DCI-P3 color gamut. With Game mode activated, XGIMI says the MoGo 3 Pro has input lag of ≈ 27ms with auto keystone correction turned off and ≈ 60ms with it turned on. I was pleasantly surprised to find that it held up well in a brighter room, with ambient sunlight coming in through a small opening. With the overhead lights turned on, it was totally unusable, but with just some sunlight creeping in, I was able to watch the projected image without too much fuss. You are able to project an image up to 200 inches in size, but XGIMI says that for best results you’ll want to stay within a boundary of 60 to 120 inches. For reference, the size of the image I was able to project onto my wall was around 80 inches, with the projector positioned around 200cm (80 inches) from the wall. XGIMI says the throw ratio of the MoGo 3 Pro is 1.2:1. There are slightly different picture presets depending on whether you’re watching HDR or SDR content. The majority of my testing used HDR content, which presented Standard, Sport and Game presets. I left it on Standard most of the time as I felt this offered the best overall picture. I was surprised to not find a ‘Movie’ picture preset, especially given the fact this will likely be the projector’s main use. (Image credit: Future / Max Langridge) There are also three different brightness settings hidden within the menus: Standard, Eco and Performance. Again, I left the standard option selected the majority of the time. Eco mode limits brightness to 40% to help prolong battery life, and in darker rooms is perfectly fine to watch. If you’re watching in a brighter room, however, it doesn’t do as good a job. Performance mode, meanwhile, introduces a blue tint to the image, which was a little peculiar… I was expecting this mode to ramp up the brightness further, but it seemed to have the opposite effect. When this mode is selected, the built-in cooling fan also gets turned up to 11 to the point where it’s clearly audible. It’s also worth noting that the performance brightness mode can only be enabled when the official power adapter is plugged directly into the projector unit. It won’t work with other power adapters or when connected to a power bank or the PowerBase stand. Enabling Performance brightness mode introduced a blue/green tint to the image. (Image credit: Future / Max Langridge) A stream of Alien: Romulus provided a good test of darker content for the MoGo 3 Pro and, considering its size, specs and price, I was pleased with the results when watching in a dimly lit room. It was able to unearth details in shadowy areas of a scene, while brighter areas such as lights had a satisfying pop. I switched over to Toy Story on Disney Plus for its color-rich palette and generally bright scenes. The various reds, yellows, greens and blues were prominent, although not quite as vibrant as I’ve seen on TVs and higher-specced projectors. Nevertheless, it was still an enjoyable watch. Seeing as though the XGIMI MoGo 3 Pro is designed to be taken out of the home with you, I set it up in my courtyard to see how it fared when being used outside. I will preface by saying I was projecting onto a dark grey wall, but it was also at night and so, despite the color of the wall coming through, I was still able to watch without trouble. I have no doubts that if you project onto a white wall, a sheet or even a portable projection screen, you will have no issues when watching movies on the road. (Image credit: Future / Max Langridge) I also watched my favorite clip from The Incredibles and came across an issue with a fast-moving scene about two-thirds into the movie. When Dash is running through the forest away from Syndrome’s goons, the projector seemed to just crash and stopped playing the movie. Pressing the home button returned me to the main home page, but the same thing happened again when I attempted to watch the scene again. I wasn’t able to replicate this again with any other content, so it could be a one-off, isolated incident or due to a bug that can be fixed via a future firmware update. The projector’s built-in speaker system is more difficult to be excited about. At full volume it does produce a spacious sound that will ultimately pass for whatever you’re watching. At lesser volumes however, it’s too quiet to do any real service and it lacks any real impact. Connecting a Bluetooth speaker is a fuss-free experience and can work wonders to boost the overall sound output, especially as I didn’t experience any signs of audio lag. Picture & sound quality score: 4 / 5 XGIMI MoGo 3 Pro review: Value Cheaper than its closest competitor Great features and performance Portable power options cost extra (Image credit: Future / Max Langridge) With a list price of $499 / £449 / AU$1,099, the MoGo 3 Pro offers enough to make it worth recommending. Its most obvious competitor, the Samsung The Freestyle, costs more in most markets yet has a similar specs list. Samsung’s offering doesn’t go quite as bright, but it does use the excellent Tizen operating system and it supports cloud gaming. Like the MoGo 3 Pro, there’s no built-in battery, but an optional base is available to make it truly portable. To this end, I think the XGIMI’s optional battery-powered base is the better choice as it’s also a tripod. Samsung’s option only raises the projector a few extra inches, so you may still need a table to put it on for optimal results. XGIMI’s MoGo 3 Pro also has the added benefit of keeping the lens protected when it’s not in use. You will need to consider spending extra on the PowerBase stand (which is more cost effective to buy as a bundle with the projector) or a power bank that meets the required criteria. If you can spend more and your only need for a portable projector is to use it in your garden, then almost any projector will do the job when plugged into an extension cord. Value score: 4 / 5 Should you buy the XGIMI MoGo 3 Pro? Swipe to scroll horizontally XGIMI MoGo 3 Pro Attributes Notes Rating Design & features Compact, lightweight, good connectivity and a feature-packed smart TV interface 4 / 5 Picture & sound quality Enough brightness to combat ambient light, which only improves in darker rooms. An external sound system is needed for a more cinematic experience 4 / 5 Value Justifies its price tag and undercuts its closest competitor 4 / 5 Buy it if… Don’t buy it if… Also consider Swipe to scroll horizontally Comparison: portable projectors Header Cell – Column 0 XGIMI MoGo 3 Pro Samsung The Freestyle 2nd Gen LG CineBeam Q Price: $449 / £429 / AU$1,099 $799 / £649 / AU$,1299 $1,299 / £1,299 / AU$2,499 Screen sizes supported: 40 to 200 inches 30 to 130 inches 50 to 120 inches Brightness (specified): 450 ISO lumens 230 ANSI lumens 500 ANSI lumens HDR support HDR10 HDR10+, HDR10, HLG HDR10, HLG Optical technology: LED, DLP LED, DLP RGB laser DLP Smart TV: Google TV Tizen webOS Connections: Micro-HDMI, USB type-A, USB-C (power) Micro-HDMI, USB-C (power) HDMI, USB-C (display, power) How I tested the Xgimi MoGo 3 Pro I used the projector in a range of light conditions Set it up inside and outside to test portability Watched a variety of dark and bright content I tested the XGIMI MoGo 3 Pro at home over a period of about a month so I could experience it during various daytime living conditions. This meant multiple light sources, be it natural daylight or overhead lightbulbs, came into my testing room, at which point I rated the picture to see how well it performed. The projector was tested against a white wall for the duration of my review, but also on a dark grey wall outside to assess its portable credentials. Both performed well and I could see noticeable differences before and after calibration. I used a variety of content, including HDR and SDR content from a variety of streaming services. My testing evaluates the projector’s performance against other reviews my colleagues at TechRadar have conducted. I have been writing about and reviewing displays for five years. Read more about how we test [First published January 2025]
Samsung S95F OLED TV: everything we know about Samsung’s elite new OLED
The Samsung S95F OLED TV has been officially revealed at CES 2025 as part of Samsung’s 2025 OLED TV lineup, serving as the flagship model. The successor to the Samsung S95D, our TV of the Year in 2024 and one of the best OLED TVs ever released, we’ve got high expectations for the S95F. The Samsung S95D revolutionized the OLED TV world with its OLED Glare Free anti-reflection tech (which mainly comprised the matte screen first featured in the Samsung Frame TV) that effectively eliminated reflections, OLED’s biggest nemesis. Other than this, the S95D also delivered hyper-detailed quality thanks to some clever AI processing, along with superb color, incredible accuracy and stunning contrast. It was also fully equipped for gaming, had a stunning design and even good built-in sound. So, the Samsung S95F has some mighty shoes to fill. Below, we explore all the details we’ve had confirmed about the S95F and the information we’re still waiting for. Samsung S95F OLED TV: Possible prices & release dates (Image credit: Future) We haven’t had any official pricing or release date information for the Samsung S95F yet, but we can take an educated guess on this info based on the S95F’s predecessor, the Samsung S95D. For a release date, we’d assume the S95F will release in March or April 2025. This has been the release date for Samsung’s flagship OLEDs, and all of its TVs for that matter, for the past few years so its likely that Samsung will aim for this for the S95F. As for pricing, we can only estimate what prices will be based on the S95D’s pricing. The S95D’s pricing was as follows at launch in March 2024: Sign up for breaking news, reviews, opinion, top tech deals, and more. 55-inch: $2,599 / £2,499 / AU$3,995 65-inch: $3,399 / £3,399 / AU$4,995 77-inch: $4,599 / £4,599 / AU$7,995 Given the upgraded OLED Glare Free 2.0 screen, other upgrades and taking inflation into account, we can assume the S95F will be priced higher than these prices, but by how much exactly we’ll have to wait until pricing info is released. There’s also a new 83-inch model arriving, a first for the Samsung flagship OLED range. This means we have no previous model to compare to. However, we can look at the LG G4 OLED TV, one of LG’s 2024 OLED TVs and a direct rival to the S95F’s predecessor, the S95D. The 83-inch LG G4 released at a price of $6,499 / £6,999 / AU$9,999, so we can assume that the S95F will be roughly around this price. Once we have official pricing and release date information, we’ll be sure to put it here. Samsung S95F: Features (Image credit: Future) The Samsung S95F will be available in sizes 55, 65, 77 and a new 83-inch size, although the 83-inch model will feature a W-OLED panel rather than the QD-OLED panel featuring in the other three sizes, but Samsung told TechRadar that this will hit the same performance specs as the other sizes. The headline feature of the S95F is OLED Glare Free 2.0, an upgrade on the OLED Glare Free tech first introduced in the Samsung S95F’s predecessor, the Samsung S95D. OLED Glare Free is a type of matte screen that nearly eliminates reflections caused by light sources, reducing them to a haze rather than a mirrored reflection that distracts the eyes. We praised OLED Glare Free on the S95D for its effectiveness, but did find it affected black levels by raising them to being more dark gray, particularly in Filmmaker Mode. Well, we’ve actually seen the S95F in person and its OLED Glare Free 2.0 seemingly fixes this issue (from the brief preview we had), displaying more accurate black levels and better shadow detail than the S95D, even under the harsh CES show lights. The S95F will feature the upgraded NQ4 AI Gen 3 AI processor, which will see its number of neural networks raised from the 20 in the Gen 2 chip, featured in the S95D, to 128. Samsung has also suggested a 30% increase in brightness over the S95D, and said that the S95F can hit 4,000 nits of peak HDR brightness very briefly across 3% of the screen. A more useful real-world stat is that Samsung says the TV should be able to hit 2,000 nits of brightness in a sustained 10% HDR window. The S95F also introduces 165Hz support, the same as the LG G5 OLED. It will support VRR including AMD FreeSync Premium Pro, ALLM and 4K, 144Hz across four HDMI 2.1 ports. Like its predecessor, the S95F has a lot of the gaming features we look for in the best gaming TVs, though there’s no Dolby Vision support. It will also feature a 4.2.2 channel built-in speaker array for sound, totaling 70W of power and with Object Tracking Sound+ (OTS+) and up-firing speakers for Dolby Atmos support. Samsung S95F: Design The Samsung S95F (pictured) seemingly shows better black levels than the S95D – at least in the preview we saw (Image credit: Future) We loved the Samsung S95D’s design in our review, praising not its only razor-slim depth and bezel-less screen, but also its ‘floating’ design where the stand is almost invisible when viewed straight on. Thankfully, the S95F retains this design, including the ‘floating’ look, so it’s sure to be one of the most physically appealing TVs. We’ve already discussed the OLED Glare Free tech, but the matte screen also adds to the premium design. It will still use a separate One Connect box for all connections, with power and visuals traveling to the TV over a single cable – it will not, however, have the wireless connections box used in The Frame Pro TV. Samsung S95F: what we still need to know (Image credit: Future) While we have learned a good amount about the Samsung S95F, there are still a couple of things we need to know. We need to know what kind of fullscreen brightness we can expect, but we’ll learn this through our own testing when get our hands on the S95F for our review. We’ve already mentioned it, but we still need to know pricing and a release date for the S95F’s varios sized models. Considering its new OLED Glare Free 2.0 tech (and inflation, naturally) the S95F will likely be slightly pricier than the S95D, which launched at a price of $3,399 / £3,399 / AU$4,995 for the 65-inch model we tested. We can’t wait to get our hands on the S95F to test it properly. The S95D was our top TV of 2024, so we have pretty high expectations of the S95F. Here’s hoping it exceeds them! You might also like…
LG G5 OLED TV: everything we know about LG’s next-gen TV
The LG G5 has been officially revealed at CES 2025 as part of LG 2025 OLED TV lineup. As the successor to the LG G4, one of 2024’s best OLED TVs, the G5 has received several upgrades including higher brightness, new gaming features and more. There’s even been a surprising change regarding its panel. We were thoroughly impressed with the LG G5’s predecessor, the LG G4, which earned five out of five stars in our LG G4 review thanks to its spectacular picture quality, full suite of gaming features and impressive built-in sound. It was easily one of the best TVs released last year, so needless to say we have high hopes for the LG G5. Below, we look at everything we’ve had confirmed so far about the LG G5 and everything we still need to know. At the time of writing, we don’t have any confirmation on price or release date, but we’ll still be exploring this. LG G5 OLED TV: possible price and release date The LG G5 OLED TV on display at CES 2025 (Image credit: Future) At the time of writing, we don’t have any information on release dates or pricing for the LG G5 OLED TV. However, based on past trends, we can take an educated guess at what this information will be. When LG confirmed pricing for the LG G4 in February and April 2024 for the US and the UK respectively, we were disappointed at first as nearly every sized model of the G4 had increased compared to its predecessor, the LG G3. Pricing for the LG G4 at release was as follows: OLED55G4: $2,599 / £2,399 / AU$4,199 OLED65G4: $3,399 / £3,299 / AU$5,299 OLED77G4: $4,599 / £4,490 / AU$7,999 OLED83G4: $6,499 / £7,000 / AU$9,999 OLED97G4: $24,999 / £24,999 Our guesstimates on the G4 (before official pricing information was released) was that LG G4 would have a price increase due to inflation – and we were correct. Based on this, we’d assume that there will be a price increase for the LG G5 too. Thankfully, the G4 was only an average of $100 more per size than the G3 at release, so here’s hoping we’ll see the same for the LG G5. As for the G5’s new, smaller 48-inch model, this will be the cheapest of the range, but just how much cheaper than the 55-inch model it will be remains to be seen. Sign up for breaking news, reviews, opinion, top tech deals, and more. Based on previous years, we’re expecting the LG G5 to launch in March or April this year, as this has generally been when LG has released its TVs for the past several years. Again, we’ve only speculated on release dates and pricing above, so once we have official pricing and release dates, we’ll be sure to update this page. LG G5 OLED TV: Features The LG G5 OLED (picture here at CES 2025) introduces 165Hz refresh rate for PC gaming. (Image credit: Future) We do know that the LG G5 will be available in a wide range of sizes, including 55, 65, 77, 83 and 97-inch sizes as well as a new, smaller 48-inch model – the first time LG has released one of its flagship OLEDs in this size. There have been several upgrades and changes to the LG G5 compared to its predecessor the LG G4. The G5 introduces 4K 165Hz refresh rate support – perfect for PC gaming – as well as still supporting VRR (AMD FreeSync and Nvidia G-Sync included) as well as Dolby Vision gaming across four HDMI 2.1 ports, a feature list up there with the best gaming TVs. A quick note – the LG G5 will not support 165Hz and Dolby Vision at the same time. Another big upgrade to the G5 comes to its brightness levels. The G5 will feature Brighter Booster Ultimate, the same featured in the step-up LG M5, which LG says will make the G5’s peak brightness three times higher than the LG B5 (although we have no confirmation on how bright we can expect that to be, as of yet.) One of the most interesting brightness boosts however comes to its fullscreen brightness which, while not the flashiest upgrade, is important. LG says the G5 will have 40% higher fullscreen brightness than the LG G4. We measured the G4’s fullscreen brightness at 257 nits in Filmmaker Mode. Based on LG’s claim, we can expect the G5 to hit 350 nits fullscreen brightness – a significant upgrade that could make the G5 a better fit for brighter rooms. Interestingly however, the LG G5 will manage all of these brightness upgrades without the help of micro-lens-array (MLA) tech in its OLED panel, as LG has decided to abandon that particular brightness boosting tech in its 2025 rollout altogether. Instead, the company has opted for a new ‘four stack’ OLED panel that LG says, along with Brightness Booster Ultimate, will enable the G5 to hit its highest brightness yet. The LG G4 with webOS 24 on screen (Image credit: Future) Rather than introduce a new processor, as it has done in recent years, LG has upgraded the Alpha 11 AI processor featured in the G4 to the Alpha 11 AI Processor Gen 2 in the LG G5. It will come with similar AI features including AI Picture Wizard, which will now have personalized picture profiles for different users as well as Dynamic Tone Mapping Pro, plus AI Sound Wizard which will upscale sound to 11.1.2 channels (as it did in the G4). One of the biggest upgrades in the G5 will be the smart TV platform, which is heavily focused on AI, falling under the banner of ‘LG AI TV’. Some of the new AI features include AI Search, an advanced content search engine, AI Recommendation, which will make tailored recommendations to individual users (and it’ll change users based on your voice, if you make a voice request), and AI Concierge, which will make recommendation based on a user’s viewing history. Another AI feature being introduced is the LG AI Art feature. This is where users can generate artworks using AI, which are made by using credits (which are purchased separately). LG G5 OLED TV: Design The LG G4 (pictured) shipped with a stand in several sizes and region, but this will not be the case in 2025. (Image credit: Future) LG’s G-series OLEDs have been considered first and foremost a TV for wall mounting, which is why LG ships every G-series model with a bespoke, slim-fit wall-mount in the box. Up until the LG G4 in 2024, if you wanted a stand you had to purchase one separately at an extra cost. With the LG G4 however, certain models started shipping with a stand as well as the wall-mount, giving customers multiple design options. Unfortunately, LG has decided for 2025 that none of the LG G5 models will ship with a stand, harking back to the days of the LG G3 in 2023. An optional stand will be available again, for an additional charge. Ready for another change? LG’s Magic Remote. The long-standing supplied remote with most LG TVs is being replaced with LG’s AI Remote. A slimmer, trimmed-down design with an AI and Accessibility button will take center stage, with the numbered buttons removed in favor of these new buttons. The new AI remote will be shipped with LG TVs in the US, Korea and more but won’t be available in certain regions, including the UK, which will have to make do with the old Magic Remote for now. LG G5 OLED TV: everything we still need to know (Image credit: Future) While we’ve had confirmation of the LG G5’s new panel, upgraded processor, new features and sizes, there are still a few things that we need to know. Of course one of the key pieces of information we’re waiting for includes pricing and release dates, but we’re likely to get those in the coming weeks. LG has yet to confirm the G5’s built-in sound. The G4 came with a 4.2 speaker system, totaling 60W of power, as did its predecessor the LG G3. Could it be time for an upgrade in the LG G5, or will LG stick with this tried and tested formula? We found the G4’s sound to be pretty good overall, but still found buying one of the best soundbars the best way to go, as the G4 couldn’t quite match up to the likes of the Panasonic Z95A and Sony Bravia 8 – two of the best TVs for sound. You might also like…
